Sand Canyon Trail | Castle Rock Pueblo

A lone standing wall is all that remains of Castle Rock Pueblo.

From the Sand Canyon South Trailhead parking lot, where my little Kia was parked in this image, the trail leads you up a sloping stretch of slickrock and around a sandstone butte known as Battle Rock. That's Battle Rock in the upper right corner of the image of my car in the parking lot and it can also be seen in this image along with the BLM sign for Canyon of the Ancients. As the trail rounds Battle Rock, a spur leads you to the day's first ruins.

All that remains of this once sprawling village known as Castle Rock Pueblo is this lone standing wall. The surrounding ground is littered with cut stones that once made 40 above ground rooms, 9 towers, a D-shaped building and at least 16 kivas. At its height, between 1250 and 1280 AD, the pueblo even included rooms and structures built on the sides and top of the butte. The Crow Canyon Archeological Center in Cortez has an interesting article on the oral history of Castle Rock Pueblo, along with a series of photographs from an 1874 survey of the pueblo showing the remains of structures on the butte. See Figure 1 and Figure 2 to see the additional ruins. Figure 3 and Figure 4 are also interesting but don't show additional ruins.

Also, the first 3 images in the Traces of the Ancient World: Details gallery are close up views of the Ancestral Pueblo stonework from this last remaining part of Castle Rock Pueblo.

Off Roading: Kia Style

My Kia Spectra at the Sand Canyon South trail head.

Following breakfast and a quick photo walk around the property on my first morning at Kelly Place, I hopped into my car and made my way over to the Sand Canyon South trail head for a morning of hiking.

The trail head is less than a mile up the road from Kelly Place and so close that I drove right past it as I wasn't expecting it so soon. In fact, I was looking at some interesting butte formations on the opposite side of the road, wondering if there we ruins over there as well. It appeared to be private land on that side of the road, but in all honesty, it would be somewhat hard to believe that there wasn't something ancient over there. The whole Four Corners area is so loaded with Ancestral Puebloan ruins (as well as those from other cultures) that I've heard "you can't throw a stone in any direction without hitting something." Often times it may be a small relatively uninteresting structure, but they are everywhere!

After a slight detour up the road and back, I arrived at the Sand Canyon trail head and while this photo insinuates a rough ride in, this parking area is right off the main road. At most, my little Kia only had to survive about 20 feet of driving on solid bedrock to arrive at this location.

The Sand Canyon Trail is part of Canyon of the Ancients National Monument, one of the country's newest National Parks, which was designated to preserve and protect the highest concentration of archaeological sites in the United States. Over 6,000 distinct structures have been identified within the 164,000 acres of the monument and Sand Canyon contains a number of well preserved cliff dwellings. Spurs in the trail take you right to the base of a handful of these dwellings and many others can be seen in alcoves on the other, inaccessible, side of the canyon.

Images of the dwellings to come shortly...

Sue's Ruin in the Morning Light

Sue's Ruin in the morning light.

Here's another view of the reconstructed pueblo, known as Sue's Ruin, on the Kelly Place property. Sue's Ruin is just one of the many remnants of the Ancestral Puebloans that can be found on a quick walk around the main lodge.

The pueblo, named after the property's original owner's wife, was in use between about 980 and 1225 AD and spans two distinct construction styles, Pueblo II and Pueblo III. The Kellys first excavated this 13 room pueblo and its kiva in the 1960s but back filled it once they were done to prevent further deterioration of the fragile walls. The pueblo and kiva were again excavated in 1988 and stabilized with the help of trained archaeologists.

While this image makes the pueblo look rather small, it's a trick of perspective. From this angle, the back side of the pueblo, only the very top of the reconstructed walls stick out above the tall grasses along the ridge of a hill. The pueblo, and its kiva, is actually large enough to house several families.

Sue's Ruin provided an excellent subject for me while I stayed at Kelly Place. It's accessible (only a couple hundred feet from the main lodge), photogenic and just plain interesting. I've got a number of interesting images to share just of this small part of my trip, and many of the others show the pueblo's true size much better, but next up is Sand Canyon Trail. If I don't keep these posts at least somewhat in chronological order, it's going to quickly turn into a mess of confusion for me.

Granary & Kelly Place

Ancestral Puebloan Granary on the Kelly Place property.

---

Disclaimer: In the interest of honesty and openness, I have to say that the good folks at Kelly Place offered me a 2 night stay in exchange for using some of the information found on my Dad's website. That being said, if I hadn't enjoyed the stay, I would only mention "I stayed here" and that's it. But Marc and Jerene really have a great place set up there just outside of Cortez, especially for visitors interested in the Ancestral Puebloan culture that dominated the Four Corners region hundreds of years ago. 

---

OK now that that's out of the way, I recently had a chance to make a return visit to Cortez, Co. This visit was roughly my second and half visit to the Cortez area and it was a wonderful trip. My first visit came around the time when I was six as I accompanied my dad on his move from Syracuse, NY to Los Angeles, Calif. Being the smart guy that he is, Dad knew he couldn't keep a growing 6 year old cooped up in the car for a full 5 days of hard driving so he planned numerous stops for us. One of those stops was Mesa Verde National Park. It was that stop that really entranced both of us in the culture from hundreds of years ago that left reminders of their presence scattered across the landscape. This visit ultimately led dozens upon dozens of follow up visits to the Four Corners area, 3 books (2 as co-authors), my dad's website (anasaziadventure.com) and Dad eventually moving to the area to lead tours around many of the National Parks and Monuments in the area. In other words, it was a rather significant point in both our lives.

Despite numerous trips with Dad back to the Southwest, I didn't manage another visit to Cortez until about 5 years ago and even then, it was only about a half day visit. That's where the "half" of "...my second and half visit..." comes from. When I was moving from Buffalo to San Diego, Dad was living in Cortez and working on his initial book about the region's ancient culture. The quick visit and short timeline to get to San Diego didn't allow for a trip up the road to Mesa Verde even though it was tantalizingly close.

In late spring of this year, Dad was contacted by the folks at Kelly Place requesting the use of his Sand Canyon Trail Guide, which remained unfinished after a hard drive crash a couple years ago. Marc offered Dad a couple nights stay at Kelly Place to help him get the guide finished up. I got to be the lucky beneficiary of Dad moving overseas not long ago and jumped at the chance. I even booked an extra night in one of the campsites Kelly Place offers on their property. Since the drive from San Diego to Cortez takes about 13 hours, the extra night was really worth it. It gave me a chance to spend a day hiking and photographing along the Sand Canyon Trail and a full day to visit Mesa Verde again, 25 years after I first fell in love with the park.


I've never stayed in a Bed & Breakfast before (I was just never high class enough until recently), but if Kelly Place is an indication for how they all are, I can't wait to stay in more! Good breakfasts, nice room to stay in and friendly folks to chat with when I wasn't out with the camera. What more could you want? PLUS, on their property, there's a reconstructed pueblo, the granary high on the cliff wall as seen in the photos that accompany this post, ruins of another pueblo under excavation, a trail that runs through the property to over 25 documented historic culture site and allows easy access to Sand Canyon in Canyon of the Ancients National Monument. In other words, if you're looking for a great and unique place to stay in the Four Corners area, I highly recommend Kelly Place!

A closer look at the ruins of the granary.

Granaries like this one are pretty common throughout the Southwest. They provided a safe place to store a pueblo's harvest for the winter ahead without worrying about rodents and other animals getting fat off the villagers' hard work. Take a look at the image above, just below the modern buildings in the background, there's a corner of a reconstructed pueblo sticking up through the grass. (It's difficult to see at the size image I have here in the blog, but as always you can click the image to see a larger version of the image where it'll be easier to see.) I've got plenty more images of this pueblo, known as Sue's Ruin, to share but I'll get to those in good time. It is likely that the granary shown on the cliff face in these images was built by the same folks who built Sue's Ruin and utilized it as their pantry.

I've got a ton more to come from this trip, so stay tuned!



Morning Reflections

Morning Reflections

And it's once again been another month since I last posted an update with a new photo. We're still suffering from less than ideal conditions for photography here in San Diego so I haven't gotten out much. In fact, not at all since I took the last image just over a month ago.

I'm also trying to wrap my head around a few things concerning my site. Chief among them is image sizing. My camera outputs images in a 2x3 ratio, a "standard" size for most cameras. But somehow, this isn't a standard ratio for frames and mattes. Scott Kelby (a Photoshop & general photography guru) wrote about it not long ago on his blog, here & here, and I've had some complaints from customers that they couldn't find frames to fit the prints I had available (sorry Mom!). Anyway, since most of my images are in the 2x3 ratio (8x12) and frames come in 2x2.5 ratios (8x10) it's a massive undertaking to overhaul all my images to fit what is best, and easiest, for customers. I'm still in the "thinking" process trying to figure out how best to deal with it, but in the meantime if you're looking for prints, please don't hesitate to contact me with any questions you have about sizing.

To get back on topic, the nice thing about not getting out to take photos regularly is that I've had some time to go back through my archive and find some really nice images that just got "left behind" when I was shooting more than I could process. It's easy to lose track, especially on a weekend where every sunrise and sunset has near perfect predicted conditions. That's what happened to this image, taken at Lake Hodges. That particular weekend, back in December of 2009, had near perfect sunrises and sunsets and it seems that I never got around to fully exploring my images from Saturday's sunrise. In fact, I only processed one image from that morning and there are a lot more from that morning that deserve some attention.

Stay tuned for some more "forgotten" images as I work my way through my archive!

Pastel Beach

After sunset at Torrey Pines State Beach

It's been just over a month since my last update and I promised back in May I that these types of lapses wouldn't happen, so I apologize! It has been a busy summer to say the least and we've had less than stellar weather for photography. San Diego's marine layer has persisted far deeper into the summer months than it normally does, more or less erasing any chance of sunrise and sunset (when the light for landscapes is at it's absolute best).

Towards the end of last week I started seeing far more clear sky in the evenings and checked Friday's forecast. The cloud cover was predicted to be about 8% at the coast and, with a high tide near sunset, I couldn't resist the call of the surf anymore. After work Friday I grabbed my camera and set out for Torrey Pines State Beach. You may remember this image, also taken at Torrey Pines State Beach, but at low tide.

When I arrived, I found total cloud cover. Absolute, 100%, not an inch of open sky overhead cloud cover. I had to fight the urge to turn right around and head home, but I convinced myself that getting some sand between my toes and going for a walk on the beach with my camera bag & tripod could count my exercise for the week. I hiked to the far end of the beach and was rewarded for my troubles with this scene on my walk back.

With the heavy cloud cover moving off to sea as if it was following the sun (it can be seen above the horizon on the left side of the image), the sky took on a pinkish glow which was reflected by the wet sand as the waves receded. I had to scramble to find an interesting foreground subject as most of the rocks in the area were underwater with the high tide. When I came across this rock, with the wet sand sweeping over top of it I had just a few moments to capture the scene before the glow in the sky faded.

Sometimes you just have to stick it out and get your toes in the sand...

Waves in the Trees

Eucalyptus Grove Abstract

Another abstract image from a few nights ago at Lake Miramar. The goal of the night was to come away with an image that could be used in the Stripes photo challenge I mentioned in my last post, but the very nature of this type of shooting is unpredictable.

I shot a few hundred frames that evening, doing my absolute best to only move the camera straight up and down while the shutter was open. However, as evidenced by this image, I wasn't always successful staying in a straight line. Many of those images were deleted right away when I saw them on my computer screen, but the gentle side-to-side motion in this one created a nice rhythmic feeling for me, almost like there were waves in the trees.

Natural Stripes

Natural Stripes

When I've got the time (or a unique idea) I try to participate in DGrin.com's photography challenges and when the newest one, "Stripes," was announced I saw it as a perfect opportunity to expand on my Of an Abstract Nature gallery.

Once the idea struck me to create this type of abstract image, the challenge was to find a dense enough grove of trees to make it happen. That might not be a big challenge for many parts of the country, but here in San Diego, there just aren't a whole lot of groves of trees to choose from. Earlier in the week, I just happened to spot a number of eucalyptus trees along the side of the road on my way to the bank and knew they were the perfect subject for this shot. Their tall, slender trucks are generally uninterrupted by branches, allowing for better streaking, or in this case, more distinct stripes.

I returned a couple nights ago after work but just couldn't get the lighting or composition I wanted with the trees I had originally planned on. Luckily, Miramar Lake was less than a minute away. This reservoir had been on my "to visit" list for a while so even if the light wasn't great, I stopped by, planning to scout out the location for future shoots.

Just a couple hundred feet from the parking lot (good short distance because I'm out of shape and it was the hottest day of the year so far!) I found a tightly packed grove of eucalyptus trees squeezed in between the path and the edge of the lake. From the angle I was at, the late afternoon sun lit up only the left side of the trucks leaving the right side in shadow and further emphasizing the stripes created by the slow shutter speed and moving the camera vertically throughout the exposure.

La Jolla Cove Twilight Part 2

Twilight at La Jolla Cove

Another image from my night down at La Jolla Cove. This one was taken about 20 minutes after sunset.

I'm nearly running out of things to say about my photographs from this particular night but I think that's a pretty good problem to have, all things considered. If I came back with so many quality images that I can't think of enough to say about them every time I head out, I could safely quit my day job and start living off my photography. In the meantime, I'll just enjoy this little wave of quality images and wait for San Diego's June Gloom to finally clear up so I can get out to some new locations and take some new photos.

If you're a long time follower of my site here, you've seen these rocks before, a while back. You can see these rocks on the right had side, about mid-picture. Back in those days, I wasn't so adventurous with my camera in hand (I was really a good distance from the oncoming wave, just zoomed in a ways). Now, I just throw a plastic bag over the camera and scamper on out there for the shot! If the camera breaks, it's just a sign that it's time to upgrade...

Also available in Black & White, though I may revisit the conversion and make a few tweaks.

Sunset in Black and White

La Jolla Cove Sunset

Here's another photograph from the sunset on June 21st down at La Jolla Cove. I'm really milking this particular sunset for all it was worth. But with good reason.

This particular night was the best sunset I saw during the week and a half I was out trying to fill my memory cards with worthwhile images and when you find the right conditions, you've just got to go for it. Fill those memory cards and really take advantage of the good light when you've got it.

I can't quite put my finger on it, but something about this image called out to me for a black and white treatment. As I experiment more with the black and white medium, I suspect I'll have a better idea of what would and wouldn't look good in monochrome, but at the moment all I can really admit to is that I tried it, and I liked it!

And for the curious folks out there, I'm sorry I really don't know what the ridge that starts in the lower left corner is. I've inspected it a number of times and always left empty handed (minded?). In person, it appears that someone long ago embedded a metal pipe into the sandstone and left it to corrode in the salt water but I can't find an opening at either end that would indicate it truly is a long forgotten pipe. It's definitely of a different composition than the surrounding rock and has attracted a multitude of mollusks to it but beyond that I just don't know. It's probably for the best that I don't know. The continuing mystery will keep me coming back for more and hopefully that will mean some more evenings like this one!

La Jolla Cove Twilight

La Jolla Cove Twilight

Taken just 10 minutes after yesterday's sunset image, the mood of this photograph is dramatically different even though it's just a couple feet to the right. The light quickly changes around sunset and the sky begins to really glow during the half hour of twilight that begins once the sun is actually below the horizon.

The quickly changing light makes the time around sunset and twilight a very exciting (read that as frantic) time to photograph. As the last of the day's light fades away, the exposure times increase, I rush around trying to capture as many quality images as I can before the light is completely gone and often times my last exposure is several minutes long when the color on the horizon isn't even visible to the naked eye.

The majority of my images from this time of day showcase a number of educated guesses, especially at the coast. It takes time and experimentation to really begin to see just how the waves will look as they become flattened out over the long exposure. Even now I get surprised on occasion at just how awesome (or horrible) the waves in an image look after 10, 20 or 30+ seconds of  leaving the shutter open. Without much light on the foreground, it can be difficult to compose an image and I often have to recompose after seeing the preview on my camera's LCD after the first couple frames of a scene.

I've still got a few more to come from this evening at La Jolla Cove before we're back to where I started.

La Jolla Cove Sunset

Sunset at the Cove

As promised, I'll move on from the erosion themed images and get back to the photographs you all expect to see here on my site. Though it's difficult to photograph along the coast (especially with the soft sandstone coast we have here around San Diego) without seeing the effects of erosion, but like I said... moving on!

I captured this photograph as the sunset on the same evening as my previously posted Last Shot of the Day image, down at La Jolla Cove. It was taken about 40 minutes before the Last Shot, just when the sun was high enough to still create some interesting highlights in the foreground, yet low enough to begin lighting up the edges of the clouds.

In the short time the sun was at this perfect angle, I managed to capture several different compositions of this scene, but what set this one apart from the others are the leading lines. The various elements throughout the scene work to draw you into the sunset. The middle ground rocks point almost directly at the sun. The highlights on the rock contours in the foreground don't point right at it near the bottom of the frame, but if you follow them up, they eventually curve and point back towards the setting sun. Even the clouds in the upper corners keep your eye from drifting too far out of the image and direct you back towards the sun.

A common problem with large scenic photographs (and I'm sure a number of my previous works suffered from it) is that in a complex scene such as this, with so many different elements, it can be difficult to determine the subject of the image. Without a clear cut subject, your eye will "bounce" around looking for the subject and a place to settle for a little while. The leading lines and  elements of this image work to eliminate that problem and highlight the subject I intended.

Layers

Layers

This is probably the last of the erosion inspired images for a little bit. I know, I know, you're all thankful and want to see the sunset images I created while using the Chris Skopec Homemade Custom Camera Water Proof Housing (patent pending) and those are coming, I promise!

Near the bottom of this image, you can see the Swirlstone from the previous post. I was drawn to both the form of the swirl and the surrounding layers. Those above don't show the same twisting deformation and those below show only a slight curve. Also noticeable is the effect of erosion on the texture of the stone. The Swirlstone marks the top of an outcropping of sandstone, if you look closely you should see the edge all the way across the image. Judging by the textures alone, it's a relatively safe assumption that the smooth stone of the outcropping gets some regular attention from the waves while the water rarely reaches the much rougher rock above.

As in the previous image, the late evening, low angle sunlight set this stone a glow and I actually had to desaturate the colors a touch to keep the image realistic looking.

Swirlstone

The Swirlstone variant of Sandstone

As a follow up to last week's Grains of Sand image post, I offer another image showing the finer details brought to light by the forces of erosion. On the surface, this image speaks more of the process of sedimentation and how the sandstone was created and subsequently twisted. However, without the effects of erosion to remove the rock above and around this twisted knot of stone, we would probably never see it.

Here, the sandstone's regular, warm tone has been enhanced by the late evening light as the sun was beginning to set. The light in the late evening "Magic Hour" adds a warm glow and enhances the stone's texture. Scenes like this abound along the California Coastline as the ocean has cut into the bordering rock surface exposing the details of the relatively soft rock. Up until this particular evening, most of my attention while at the coast has been focused out over the ocean waiting for the sun to dip to just the right angle but this image is a healthy reminder that I shouldn't ignore the good light and scenery behind me.

New Product Available!

Keep your camera safe while at the coast!

I'm pleased to announce that the Chris Skopec Homemade Custom Camera Water Proof Housing (patent pending) is now available for the low, low price of $74.98 plus $9.99 shipping & handling!

The Chris Skopec Homemade Custom Camera Water Proof Housing (patent pending) was developed through a rigorous trial and error process along the treacherous California Coastline to keep your camera safe from hazards of salt water! The Chris Skopec Homemade Custom Camera Water Proof Housing (patent pending) is designed to allow you full access to your camera, tripod head, lens focusing mechanism and remote shutter release giving you greater peace of mind while photographing at the coast!

No more ruined cameras when a rogue wave splashes higher than expected. No more watching the waves and losing a good composition running from the splash! Just set your camera where you want and leave it!

A "must-have" for any photographer, pro or amateur, planning a visit to the coast!

ACT NOW SUPPLIES ARE LIMITED!!!

"I've been using my Chris Skopec Homemade Custom Camera Water Proof Housing (patent pending) for three days now! Despite its serious design flaws, I won't leave home without it!" -Chris Skopec Happy Customer

ACT NOW!! DON'T BE THE LAST PHOTOGRAPHER ON YOUR BLOCK WITHOUT ONE!!

Grains of Sand

Grains of Sand on a sandstone ledge.

Here's something a little different for me, a macro (almost) image. My eye, at the moment, seems trained to see the grand sweeping expanse of the landscape and I often miss these smaller scene that can be found by getting up close to the details. And in fact I really just chanced upon this view down at La Jolla Cove a few nights ago.

The La Jolla area coastline is composed almost entirely of sandstone in various stages of erosion. Steep vertical cliffs drop into the ocean or give way to small, course-grained sand beaches while other areas, as seen in my previously image,  feature an expanse of wave polished rocks extending some distance out into the ocean.

While waiting for sunset, leaning against one of the areas sandstone cliffs with my feet firmly planted in the warm sand, I looked to my right to find these small grains of sand perched on a small ledge and lighting up in the late afternoon sun. The majority of my lenses are better suited for the wide vistas my eye favors, but my 50mm prime lens allows for super close focusing so I was able to get almost right on top of these grains of sand and still have them in sharp focus. Such a close focus creates a razor thin depth of field (the area of the image in focus) allowing the textures of the sandstone to melt away into a pleasing, golden blur.

I've yet to find a better illustration of Elegant Erosion than these grains of sand resting on a ledge they were most probably a part of not too long ago.

Last shot of the Day

Last Light at La Jolla Cove

After nearly 2 months of not taking any new photos because of various other projects, I've been down at the coast three times in the last week. Now that some other projects are done (or at least done for now) I can get back to having some fun.

The first two nights, last Thursday and last Saturday nights, were both something of a bust. I haven't looked through the complete catalog of images from those two nights and may very well find some compelling images, but neither night had a true sunset. On Thursday, the sun dipped behind some low lying clouds our over the ocean just before sunset and on Saturday it never even had a chance with near total cloud cover at the coast from late afternoon on. When photographing the landscape, you're really counting on Mother Nature to do the lighting for you and when she decides to end the show early, there's not much you can do about it except go home and try again another night.

And try again I did! Last night more than made up for the previous two nights. I headed down to La Jolla Cove where a high tide about twenty minutes after sunset meant the full power of the ocean was coming straight at me for much of the night. And though there was a sizable cloud bank out over the ocean, it was still small enough to let the post-sunset glow show through.

High tide here at La Jolla Cove is a dangerous time, both for camera and person. The splash of the waves can wreak havoc with a digital camera if proper precautions aren't taken (I fashioned a "dry suit" for my camera and lens out of a one gallon Ziploc bag. Worked like a charm!) and this rock under foot, even though it's sandstone, has very little texture to it after countless years of abuse by the sea. I opted to go barefoot while out there as my feet offered better traction on the rocks than my sandals.

This particular shot is out of order. It's the last photograph of the night from last night. It's a thirty second exposure taken about twenty minutes after sunset and just a split second before a large wave crashed down on my location almost knocking my tripod over. I saw the wave coming in and had appropriately braced myself for the wave, but going from mostly dry to knee deep in a split second was enough to tell me that it was time to get out of the way before the waves got any more intense. Thus I present to you this last photograph of the night as a Badge of Honor that my camera and I made it out safely!

Done

Seashell, down by the seashore.
(Found, not sold by Sally)

Lately I've been doing a LOT of work on my website, hopefully it shows. Some of the recent improvements include:

• The "Buy" button is back! Now you can enjoy beautiful prints in your home without all the hassle of visiting local galleries.
• There's a new "Share" button. Now when you find a photo you like, not only can you leave a comment and vote it into my popular photos, but you can now share it with friends. In just about any way you can imagine! Send an email, get a link to post it right on your own blog, Be Social and share it on Facebook or add it to a Social Bookmarking site like Digg.
• Hand in hand with the sharing, I've got a new watermark on my photos, as seen in the nice seashell photo here on the right. The problem with sharing is that once a photo is off my site, it's completely out of my hands and in the Wild Wild West of the Internet, there are those unscrupulous folks who would try take a photo and sell it as their own. The watermark won't completely solve the problem, but at least it gives me a little piece of mind.
• There's a new logo and navbar just to make the site a little sleeker and snazzier (that's right, "snazzier").
• Print Packages are now available. Currently there are 2 available for metal prints (printed right on metal!) with a couple more coming soon.
• And a few other, behind the scenes type changes.

I've still got a couple notebook pages (the small, pocket sized variety) filled with items that I would still like to make happen, but for now, I'm calling it DONE! The problem is, I've been so focused on making these changes and making the website look good, I haven't taken my camera out in nearly 2 months! It's incredibly hard to tackle both the creative aspect of taking and processing the photos and the technical side of website coding and management. So for the foreseeable future, the website is done for all intents and purposed (not including new photo postings) and I'll be spending my time enjoying the outdoors with my camera. And there's no better time to start than tomorrow, with a low tide just 20 minutes after sunset and a predicted 25% cloud cover for (hopefully) just the right amount of clouds to pick up the colors.

In the meantime, I encourage you to take a look around the website, take advantage of the new offerings and if you're so inclined to support my photo habit, take 25% off the price of all prints! Just enter SupportMyHabit when you check out! (Hurry offer end July 31st, 2010!)

America's Southwestern Treasures

America's Southwestern Treasures' Front Cover

I'm happy to announce that the second book from my dad and I, America's Southwestern Treasures, is now available to purchase!

As a follow up to our original publication, The Ancestral Puebloan Primer, Treasures is your concise guide to America's Southwest and the remnants of number of distinct ancient cultures who resided there, not just the Ancestral Puebloans. More than 170 archeological sites and 13 museums are covered and the 130 plus pages of Treasures detail which culture built the site, what is important about it and what you can expect to find there on your visit, both in terms of modern services and ancient ruins or artwork.

Additionally, each site is rated on a scale of 0 to 3 so you can spend your limited vacation time at one of the 30 "must see" sites instead of a site with only scholarly interest.

Our six Suggested Itineraries mean you can make the most of a quickly planned trip and the indexes (sorted by geographic location and cultures) help plan an impromptu visit to nearby sites of interest.

You can  purchase the book direct from our publisher, Createspace, right here.

Panoramas Part 2: Return to the Same Locations

Late Evening Light on Lake Hodges

Another panorama from the shores of Lake Hodges. This one is a combination of 4 horizontally oriented frames, taken back in December (or about 3 months before the other panorama I already posted). Both were taken at sunrise and illustrate why it's possible to keep visiting the same locations time and time again. Don't get me wrong, I love finding interesting new locations, and while it's not a perfect comparison, (this one was taken from a slightly different vantage point looking North instead of East) this image and the previous panorama image could have been taken at two vastly different locations not just different conditions.

In this image, San Diego had yet to receive its spring rains and the water level of the reservoir is much lower, showing more reds in the foreground than in the previous image. The air temperature was much closer to the water temperature in this image than the last, as evidenced by the lack of steam rising from the water's surface. Those are seasonal changes though, and can be predicted with relative ease. The major difference is much harder to predict. The light! Light is building blocks of any photograph, landscape or otherwise. Portrait photographers have the luxury of carefully crafting their studio lighting set up to achieve the desired effect time after time. For landscapes, you can make your best guess at how the sunrise or sunset will turn out based on the natural conditions (temperature, cloud cover, etc) but by and large you just need to be there and hope you get lucky. Good days go bad if the clouds aren't in the right spots and bad days can go good at a moment's notice if there's a break in the clouds in the distance. This unpredictable nature is exactly what makes an image such as this one and the previous panorama so rewarding to capture.
See more of my panoramas here, in the appropriately title Panoramas gallery.

Panoramas: Not Just a Fun Word to Say

Early Morning Light on Lake Hodges

I'm breaking my own post template for this one, and asking you to make sure your browser window is wide enough to take in the full photo above. Go ahead and resize it now, I'll wait...

That's the joy and the problem of panoramic photos. They're HUGE! In fact, it's difficult to properly display them on a website due to their size. This particular image has a wealth of detail, even in the back lit hills, however, due to its overall dimensions, I can't display it large enough for those details to be seen.

In the olden days of film cameras, a specially formatted panoramic camera to be done seamlessly. Now, with the advent of digital photography and the magic of Photoshop, creating a panoramic can be done painlessly and without a special camera. This particular image is actually 6 images, taken in horizontal orientation shot about 20 minutes before sunrise, and then "stitched" together in Photoshop.

Panoramas can be difficult to plan, since you can't see the entire image in the viewfinder at once and minor shifts in camera position can cause insurmountable perspective distortions and, as seen above, the vast scope of the image often encompasses very different lighting from edge to edge. Despite the difficulties, they can be truly rewarding to capture, especially when they turn out like this one!

See more of my panoramas here, in the appropriately title Panoramas gallery.

Soft Light, Soft Water

Long exposure after sunset, looking at the Ocean Beach Pier.

I love long exposures! There's a bit of mystery in long exposures as you can never tell exactly what you're going to end up with. You can guess and try to envision the effects of the increased exposure time, but you'll never know for sure until you see it on you LCD screen after the shutter closes.

Case in point, this photo was a 30 second exposure about 30 minutes after sunset. It was taken the same night as End of the Day and the image for 12 Minutes Makes a World of Difference, back in mid-April. As I set up for the shot, the sky was already a deep dark blue, edging quickly towards black but I knew the long exposure time would allow my camera's sensor to pick up the last remaining bits of color in the sky. What I didn't know was that I would end up with such nice, soft pastel colors in the sky.

I also expected the waves would be smoothed out quite a bit. My hope was that I wouldn't lose all definition in the ocean, but I couldn't have predicted the reflection of the pier's lights on the smoothed out waves. The reflections of the lights wasn't apparent to the naked eye that night, probably because of the motion of the waves, but once the motion was taken out of the equation, those reflections were allowed to shine.

Finishing up Projects

Merced River Reflections

I had a dramatic flurry of new photos and posts at the end of last month/beginning of this month and not much since. My time has been filled getting some other projects taken care of as well as finishing up some behind the scenes type things for the website.

Notable changes to the website:

• The blog (www.chrisskopec.com/) now "stretches" and fills the screen as you change the size of your browser window. And it now matches the photo site (photos.chrisskopec.com) a little better providing a more seamless transition between the two.
• If you're so inclined, you can now leave comments on photos. It's a feature I turned off a while ago because I wasn't happy with the way they looked in the old layout. Now, with the new layout, they can be hidden free up more screen space for the photos. To find the comment section, click on a thumbnail to see the photo larger then click "Show Details" at the top of the page to bring up the Comment/Keyword box and you can comment away.
• I've been adding keywords and captions to publicly viewable photos. It's a slow process and isn't done yet, but the hope is that these will help my images be even more findable through Google and other search engines.
• Are you a friend or a family? Check out the new "Friends & Family" section of the site. These photos are not for the general public, but recent changes from SmugMug (who hosts my photo site) allowed me to password protect the whole group so you only have to put the password in once. The password shouldn't be too difficult for friends but if you have trouble just let me know.
• And last but not least, I've created a "Best of our National Parks" gallery. The images here are collected from the various individual parks galleries in an attempt to group the best of those images in one gallery. The image above is from the new gallery and can still be found in my Yosemite gallery along with the rest of the images from my Yosemite trip.

Coastal Rocks/Wave Explosion Combo |B&W|

The previous 2 images combined.

This image is a combination of the previous two shots. Still no interesting sky, but since the exposures and black & white treatment were identical, it was easy to combine them and use the best of both for one image.

 

According to some folks, this photo is a lie or at least cheating.  I would argue that I didn't create unnatural circumstances in this image and therefore have not cheated and since I'm writing about it, clearly not lying either. Both parts are realistic and this particular image probably occurs naturally. I couldn't capture it in one image when I was there because the waves weren't coming in fast enough. By the time a wave was coming ashore, the previous one had already dried out, leaving no reflections.

 

In the end, whether it's cheating or not, I think the resulting image is greater than the sum of its parts!

Wave Explosion |B&W|

An "exploding" wave.

Last Friday's photo and this photo came just seconds apart at Crystal Cove State Beach/Park. Both were shot about a half hour before and 180 degrees from my Sunset at Mordor Beach image.

These rocks were lit up with a nice warm, golden glow as the sun set behind me, unfortunately the sky was a flat grey due to the cloud cover. Much of our day here at the coast had been overcast with uninteresting skies and despite my previous follies with black & white images (as mentioned in my last post), I planned for these images to be black & white. Or at least solid attempts at it.

Since the sky was so uninteresting in this direction, I slowed down my shutter speed to catch the motion of the waves and create an interesting element in the foreground to draw attention away from the sky. In the previous image, shot as a wave receded, you can make out the reflection of the rocks in the wet foreground sand. In this image, the next incoming wave hit the smaller rocks with a good amount of force. The slower shutter speed caught the full "explosion" of water created by the wave slamming into the rock.

Both images can be found in my Just Black & White gallery.

Coastal Rocks |B&W|

Coastal rocks at Crystal Cove

I don't create a lot of black and white images. There I said it. And if you want proof, take a look at my Just Black & White gallery. (I know, I need to work on the title for that one. It's not very imaginative is it?) There's only 6 images in there. And while there may be a few others floating around my site that need to be included in this gallery, that only works out to 8 or 9 images out of the nearly 500 up for public viewing!

The reason? I'm still trying to figure out how to do it. "But black & white imagery has been around forever! What are you trying to figure out?!" I hear you asking. Well, even though black & white is where photography started, that doesn't mean it's easy and it all boils down to color theory and the contrast between different colors. What shade of gray should this blue be? How about that blue? And this red over here, what should that look like? It's all subjective and entirely up to me to decide when making the conversion.

Photoshop offers a myriad of tools for creating monochrome magic (new gallery title?!) and each allows you to precisely control what shade of gray individual colors should be. And that's part of the problem for me. There are just too many options and I would much rather be out taking photos on a nice day then experimenting in Photoshop.

This image is the result of a fairly quick and easy method I recently invented (and by invented I mean, I thought about trying it only to discover it's been around and on the internet for quite some time now). After checking the various color channels, I found the red channel in the RGB spectrum held the best looking image and deleted the green and blue channels, resulting in a monochrome representation of the information held in the red channel. A contrast adjustment, some sharpening and a little dodging to further improve contrast and the image was done.  For such a simple process, the results are rather nice, if I do say so myself!

Sorry to bore you all with the technical talk, more information about the location will be in my next update.

12 Minutes Makes a World of Difference

Just after sunset at Ocean Beach

Taken just 12 short minutes after the image in my last post, End of the Day, this image has a completely different look to it. With the sun now completely below the horizon, what was a 1 second exposure for End of the Day became an 8 second exposure for this image.

The added exposure time allowed the waves to blur even more than the previous image. At this exposure length, the majority of the waves and motion in the water has been smoothed out and is nearly unrecognizable. The effect is somewhere in between the two points where I'd like it to be. In End of the Day, the waves show quite a bit of motion blur but still hold definition. At the other end of the spectrum is Only One Way Out, an older image that shows the effect of a 7 minute (yup, minute!!) exposure. The water is completely smoothed out and lacks any real definition. Those two extremes are where I'd typically like the water to be in all of my images.

However, I don't mind the in between look in this image because this image is more about the different conditions in such a short amount of time after the last one. Notice the sky color, no longer a golden, burning orange. With the sun now well below the horizon the sky has picked up a nice pinkish glow. Also notice the rocks in the foreground. They aren't the exact same rocks, of course, as I moved and found a new composition in those 12 minutes, but look at the difference in the color of the rocks. In the previous image they glow and reflect the sky's golden orange. These rocks, without the direct angular sunlight, look much more menacing and uninviting.

While this image is quite a bit colder and may not be as "pretty" as the previous one, I propose that it is no less interesting. It's amazing how much a scene can change in just 12 minutes...

End of The Day

End of the Day - Sunset at Ocean Beach

I shot this image about a week and a half ago on the first evening my friend Jay was in town. We grabbed a quick bite to eat at Southbeach so Jay could try their legendary fish tacos then took the short walk to the beach to shoot the sunset.

The beach part of Ocean Beach isn't much to write home about photographically speaking. It's more or less just a sandy beach. But just a bit south of the pier, the beach quickly turns to pock-marked sandstone. That's good news for a couple photographers looking for interesting foreground subject matter. With the sun low in the sky, the sandstone picks up an amazing golden glow. When the sun is very low (as it is in the image on the right), only the top ridges pick up that glow, creating an interesting contrast between the lit up ridges and the rest of the rock.

This is a single image, no multiple exposures or blending or even Photoshop trickery. What you see here is largely what came out of my camera. I achieved this single exposure by using my graduated neutral density filter along with a graduated blue filter. Placing the darker regions of the filters over the sky allowed me to effectively darken the sky enough to capture the sky and relatively dark foreground all in one exposure. Typically, only the graduated neutral density filter would be used for this purpose, however I've found that no matter how "neutral" the filter is supposed to be, there is still a noticeable color shift when using it. The blue graduated filter doesn't reduce the exposure by much, but it does tend to shift the colors back towards reality.

Reducing the exposure for the sky, meant using a longer shutter speed to get the proper exposure. That's something I see as a happy side effect, especially along the coast. With a quick shutter speed, the water is frozen in place, but the longer exposure allows the water to show its motion. The wispy, flowing water shown is the result of longer exposure and begins to hint at the forces of nature that shape this part of the California coast.

Please Excuse Our [Digital] Dust

Ghost Tree - A never before posted favorite from 2009

Regular visitors to chrisskopec.com should have noticed a rather large change recently. For quite some time, the landing page for chrisskopec.com was a nice little slide show filled with some of my favorite images. If you got past the slide show and looked around through some of the links, you'd eventually find a link to my blog, which contained plenty of nonsensical and infrequent ramblings about where I had recently been along with a couple photos. It's all been switched around now.

The slide show was beginning to lose its appeal to me the more I looked at it. Despite having some of my favorite photos in it, it was largely devoid of content. It wasn't easy to update, so many new photos no matter how good they were never made it there. I didn't like the random feel to having vertically and horizontally oriented photos rotate through, so the slide show featured only horizontal images, meaning a good vertical image (like the one here on the right) would never make it to the front page. And worst of all, the blog, which was intended to be a major connection to the world was buried deep within some drop down menus. (Plus, the slide show was starting to feel very much like a cheesy flash intro and I don't know anyone who actually watches those anymore.)

Now visiting chrisskopec.com takes you straight to my blog solving a few problems all at once.

• Findability - OK, I admit one of the major reasons for the switch is a selfish reason. Having an active blog is a key to being relevant to internet search engines (Google, Yahoo, Bing...). When the blog was buried, I hardly posted at all. By making it the front page, I'm forcing myself to keep posting and keeping the blog active and hopefully more findable for new visitors.
• Better Writing - No more rambling, half-incoherent writing allowed! I'm restricting myself to a set format for each post (with a few exceptions for major photo trips) which is one photo and a short description of it.
• More Photos - The new format I've set up, allows for both horizontal and vertical images so I'm no longer restricted to just one type of image. That means each new post will feature the best of the best, not just the best landscape oriented image.

And before this post begins to ramble, I'll wrap it up by saying that while the switch has been mostly implemented, there are still a few links to fix and minor inconsistencies to clean up so in the meantime, please excuse our [digital] dust! :)

PS - If you want to get straight to the photos at any point and skip the blog, they can be accessed directly at photos.chrisskopec.com.

Sunset at Mordor Beach

It's really Crystal Cove State Park

OK, so I didn't really travel to Mordor for this shot. Not only is it a dangerous place, but it's also quite fictional. Once of the first images that really WOW'd me when I first picked up my interest in photography was a beach scene with a large, prominent rock in the foreground, misty waves and fiery sunset sky. Maybe I had just watched Lord of the Rings for the hundredth time on TBS, but the instant I saw it I thought, "That looks like Mordor Beach!" Forget for just a minute that you never actually see a beach in Mordor in any of the movies. Suspend your disbelief!! If there had been a beach in Mordor, it probably would look a lot like that image all day long. When I first saw this capture on the LCD on the back of my camera, I instantly thought, "Mordor Beach! I have found you!" And while I'm not going to discuss whether I like my image better than the one I remember seeing so long ago, if Mordor had a beach, I imagine it would look very much like this!

This image was actually taken at Crystal Cove State Park near Laguna Beach. I had heard and seen good things about the Laguna Beach area, but had never had the chance to visit until last week when my friend Jay was in town to do some photography. We arrived early and did our best to scout out some locations prior to sunset even though there was heavy cloud cover and little chance of seeing a sunset through it all. The beach has a literal treasure trove of photographic opportunities. Everywhere you look, enormous rocks jut upwards from the sand just begging to be included as a dramatic, striking foreground.

This image can be found in my California Coastline gallery.

Fort Knox |Design Work|

Fort Knox Proposal Cover

My writings have been pretty photo-centric lately, so it's probably a good time to share some recent design work.

A couple times a month, the Acquisitions and Retention Department (client relations) requests cover design samples from the Production Department for inclusion in proposals for either renewing contracts or obtaining new ones. Essentially it's our time to shine and show what we can do to impress potential clients.

When these request come into production, they're assigned based on who has the most time to work on them. Generally, that's not me, but when the Fort Knox request came in I had just completed a project and was awaiting my next assignment. Unfortunately, the project I had just complete was our last contracted guide for, you guessed it, Fort Knox. That means I had just designed the book and four covers already. Since no new images are provided along with the request for the Proposal Covers, I really had to dig deep for some ideas.

On this version, I was able to combine my photography and graphic design skills. I had recently been out photographing in downtown San Diego and took some photos of concrete walls with the idea of using those textures in some of my designs. The concrete texture goes well with the strength conveyed by the military and was particularly appropriate for the Army as they use a distressed look with the majority of their branding.

The requests that come from A&R are for three covers, of which two will be included in the Proposal to the base. This design was easily my favorite from the group but was ultimately the one left out of the Proposal. It's a little disheartening when you're favorite isn't picked, but luckily I have my nice little corner of the web here to share it so it's not lost forever.

Of An Abstract Nature

Abstract Trees and Grass

This image is the first of a new series, titled Of An Abstract Nature. The series is an avenue for exploring different photographic techniques and at the moment I've been experimenting with longer shutter speeds and deliberate camera movement.

Most photographers (especially landscape photographers) strive for super sharp, crisp images where any blur from camera shake ruins the image. Even the smallest amount of shake will be noticeable in a print and detract from the overall scene. This image, and the series thus far, explores what happens if the whole scene is a blur. With vaguely recognizable forms and purposeful movement, the image becomes more of an impressionistic, painterly view of the natural world. The colors of the scene are emphasized over the details of the scene.


Part of the fun of this type of shot is the mystery. When taking a standard landscape image with the camera set atop a sturdy tripod, what you see through the viewfinder is what you get (hopefully). With these shots, I could only imagine at how it might end up. I found it best to take multiple shots of similar scenes with varied shutter speeds and camera movements.

Torrey Pines State Beach - Low Tide

Coastal Rock formation at Torrey Pines State Beach

Torrey Pines State Beach and its neighboring State Reserve are quickly becoming a couple of my favorite spots for photography. Just a quick 10 minute drive from home, these parks offer some gorgeous landscapes just begging to be photographed. Every time I visit, something new catches my eye.

On this particular visit, back in early January of this year, I planned my arrival with an extremely low tide associated with that night's full moon. Most days, even at low tide, these rocks are hidden beneath the waves and the beach is an idyllic, gently sloping sandy beach. Only on very low tides do these rocks emerge from the depths.

Fortunately, the tide stayed out long enough to capture these rocks with glowing sunset in the background. In actuality, this shot is from several minutes after sunset. Generally the best sunset colors can be found once the sun is already below the horizon, and this day was no exception.

This shot, along with being a current favorite of mine, was the inspiration behind a new series entitled Elegant Erosion. The series is intended to look at the benefits and beauty of erosion as opposed to its current negative connotations.